For Even Better Stories
The Nutshell Technique by Jill Chamberlain:
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story.
Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.
Andy Guerdat gives his opinion on why you should stop writing your story if you can't answer this question.
Wordplayer by Terry Rossio is a hidden treasure trove of blog posts with useful concepts
Terry Rossio was born on July 2, 1960 in Kalamazoo, Michigan, USA. He is a writer, known for Godzilla VS. Kong (2021), Pirates of the Caribbean: The Curse of the Black Pearl (2003), Aladdin (1992), and Shrek (2001). Additional credits for Rossio include Deja Vu, G-Force, Lovestruck, The Long Ranger and Pirates of The Caribbean: Dead Men Tell No Tales. He was also once the highest paid screenwriter in the world due to his work on Deja Vu.
His concept of using a 'Strange Attractor' for a logline has always stuck with me.
